1. AMERICAN FANTASY AUTHORS AND SCRIPTWRITERS! A "lady" is a female member of the nobility. "Ladyship" is the quality possessed by such a person. A male minion addressing a female member of the nobility will either call her "my lady" (because she is) or "your ladyship" (out of respect for the quality). A minion who speaks of "my ladyship", in any context, is referring erroneously to a non-existent quality of ladyship which he believes himself to possess, and makes the person who wrote his dialogue look like an utter cretin. It's a solecism on a level with referring to your head of state as "Mr Barack President". Stop it now.
2. Private Eye really should publish their regular "From the Message Boards" spoof on their website, to give it a proper online context. It's brilliantly cumulative -- when you first read it it's only mildly amusing, but its gets funnier and funnier as you learn the "regulars"' posting styles and realise who you know from the web whom they precisely resemble. I'm particularly fond of clueless Hayley_321 ("insted of electian may-be let people jus choos the ppl they want in wesmister?"), and serial sloganeer Sword_of_Truth ("Time to end the disastrous democratic experiment").
Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts
29 May 2009
06 September 2007
Final Greenbelt Roundup
I'm not away any more. In fact I've been back for over a week, but things have been a bit busy. Sorry about that.
Greenbelt was enormous fun, and surprisingly relaxing this year -- in previous years when I've been doing stuff I've ended up getting rather stressed, but this time around I was able to incorporate my Surefish blogging into my daily routine quite happily.
I just want to tidy up by mentioning a few things which that reportage didn't have the space to cover...
Daliso Chiponda's comedy slot (which I went to after filing my last day's copy) was good in parts, but lacked structural unity. Despite the "Attack of the Colonies" title, and although some of his best material was political ("There are good things about living in a dictatorship. When you have phone sex, it's always a threesome."), the show as a whole was a stream-of-consciousness ramble through jokes about relationships, family life and -- rather archaically -- how white men can't dance, which never really came together.
I didn't blog about how much time I spent in the beer tent, which was rather a lot in the end. There were a couple more beers than last year, which I appreciated, although they could still do with expanding their range for next year. The tent was often very full indeed, I suspect partly because they'd relaxed the "No Under 18s" rule (not for drinking, obviously, but for being physically within the bounds of the licensed area).
I enjoyed a rather spendid worship installation which combined gigantic paintings of Christ's hands with a piece called "Prayer of the Heart" by John Tavener, incorporating multilingual Kyries sung by Björk. It was very powerful, weird and visceral music, which would have had substantial emotional punch without the spiritual content. At first I found the noise of the festival all around the room rather distracting, but after a while I was able to imagine it incorporated into the music itself. Which was also kind of weird. I don't tend to get much time for meditation, and this was a good experience. I went back a couple of times.
That said, visual art at the festival generally had dropped off compared with previous years. The emphasis seemed to be on art as a process, with several visual artists creating artwork around the site, but the gallery-style displays of previous years were prominently lacking, which was a great shame.
I enjoyed visiting the animals. I always miss my cats when we're away, and there's something very comforting about physical contact with other mammals. Plus there was a hen who could fit up to seven chicks under her wings at a time.
I bought Billy Bragg's book and the interesting-looking The Gospel According to Science Fiction. The former was sold to me by a very professional eight-year-old girl, which I found a little unnerving.
I have some photos which I need to upload at some point, although Lord knows when. Some are of some very exciting (and huge) kites being flown in the shapes of fish and lizards and things.
That's about it, really. Next year I really must get organised about speaking again, before everyone forgets who I am.
Greenbelt was enormous fun, and surprisingly relaxing this year -- in previous years when I've been doing stuff I've ended up getting rather stressed, but this time around I was able to incorporate my Surefish blogging into my daily routine quite happily.
I just want to tidy up by mentioning a few things which that reportage didn't have the space to cover...
Daliso Chiponda's comedy slot (which I went to after filing my last day's copy) was good in parts, but lacked structural unity. Despite the "Attack of the Colonies" title, and although some of his best material was political ("There are good things about living in a dictatorship. When you have phone sex, it's always a threesome."), the show as a whole was a stream-of-consciousness ramble through jokes about relationships, family life and -- rather archaically -- how white men can't dance, which never really came together.
I didn't blog about how much time I spent in the beer tent, which was rather a lot in the end. There were a couple more beers than last year, which I appreciated, although they could still do with expanding their range for next year. The tent was often very full indeed, I suspect partly because they'd relaxed the "No Under 18s" rule (not for drinking, obviously, but for being physically within the bounds of the licensed area).
I enjoyed a rather spendid worship installation which combined gigantic paintings of Christ's hands with a piece called "Prayer of the Heart" by John Tavener, incorporating multilingual Kyries sung by Björk. It was very powerful, weird and visceral music, which would have had substantial emotional punch without the spiritual content. At first I found the noise of the festival all around the room rather distracting, but after a while I was able to imagine it incorporated into the music itself. Which was also kind of weird. I don't tend to get much time for meditation, and this was a good experience. I went back a couple of times.
That said, visual art at the festival generally had dropped off compared with previous years. The emphasis seemed to be on art as a process, with several visual artists creating artwork around the site, but the gallery-style displays of previous years were prominently lacking, which was a great shame.
I enjoyed visiting the animals. I always miss my cats when we're away, and there's something very comforting about physical contact with other mammals. Plus there was a hen who could fit up to seven chicks under her wings at a time.
I bought Billy Bragg's book and the interesting-looking The Gospel According to Science Fiction. The former was sold to me by a very professional eight-year-old girl, which I found a little unnerving.
I have some photos which I need to upload at some point, although Lord knows when. Some are of some very exciting (and huge) kites being flown in the shapes of fish and lizards and things.
That's about it, really. Next year I really must get organised about speaking again, before everyone forgets who I am.
11 November 2006
Flotsam
This came to me while I was trying to get to sleep last night, probably inspired by Chris Morris' Jam monologues:
When in the sea your mother's brother falls,Hmm. I think it needs a second stanza.
and floats inert at mercy of the tides,
rising and falling as the currents bid,
then bobs your uncle.
20 September 2006
My Top 5 DVDs of All Time
I wrote the following as a sample for a job I didn't get. It's the sort of thing many people seem to post on their blogs, so I thought I might as well offer it up for your edification.
It is, admittedly, somewhat constrained by the limited number of DVDs I've actually watched, and in particular bothered with the extras for.
My Top 5 DVDs of All Time
(in 50 words each)
Firefly: The Complete Series (4-disc boxed set)
Tragically cancelled before its time, Joss ‘Buffy’ Whedon’s space-opera Western was the cleverest, funniest, most stylish TV sci-fi in years. Experience all 14 episodes along with featurettes, deleted scenes, an outtakes reel that’s actually funny, and commentaries from actors and crew so witty, warm and articulate you’ll hate them. Glorious.
I Claudius (5-disc boxed set)
Roll over Rome – Derek Jacobi stars as the Emperor Claudius in ten hours of the greatest BBC drama ever made. Where else would you see Blackadder’s Nursie as a poisoner, or Christopher Biggins playing Nero? Features include documentaries, actors’ favourite scenes and an interactive genealogy of that nice Caesar family.
Jam (2-disc set)
Christopher Morris’ unnerving sketch comedy of dead babies and psychotic doctors comes complete with its fuzzier late-night remix, Jaaaaam. Each episode plays in yet another alternative format, such as a ‘ffwd version’ or ‘quadrilateral lava lamp version’. If you missed the day Kilroy lost his mind, then welcome… in Jam.
Minority Report (2-disc set)
Tom Cruise stars as a ‘pre-crime’ cop on the run, after being fingered as a future murderer. The extras disc goes overboard with design sketches, storyboards, biographies and no fewer than 17 featurettes, with menus in the film’s own hands-on interactive graphics style. The movie’s not at all bad, either.
Doctor Who: The Beginning (3-disc boxed set)
Sinister, giggling William Hartnell abducts two of his granddaughter’s teachers in his time-machine, in Doctor Who the way it was meant to be. These first three stories bring us cavemen, insanity and eerie machine-people called ‘Daleks’. The best of many bonuses brings long-deleted historical story Marco Polo to partial life.
It is, admittedly, somewhat constrained by the limited number of DVDs I've actually watched, and in particular bothered with the extras for.
My Top 5 DVDs of All Time
(in 50 words each)
Firefly: The Complete Series (4-disc boxed set)
Tragically cancelled before its time, Joss ‘Buffy’ Whedon’s space-opera Western was the cleverest, funniest, most stylish TV sci-fi in years. Experience all 14 episodes along with featurettes, deleted scenes, an outtakes reel that’s actually funny, and commentaries from actors and crew so witty, warm and articulate you’ll hate them. Glorious.
I Claudius (5-disc boxed set)
Roll over Rome – Derek Jacobi stars as the Emperor Claudius in ten hours of the greatest BBC drama ever made. Where else would you see Blackadder’s Nursie as a poisoner, or Christopher Biggins playing Nero? Features include documentaries, actors’ favourite scenes and an interactive genealogy of that nice Caesar family.
Jam (2-disc set)
Christopher Morris’ unnerving sketch comedy of dead babies and psychotic doctors comes complete with its fuzzier late-night remix, Jaaaaam. Each episode plays in yet another alternative format, such as a ‘ffwd version’ or ‘quadrilateral lava lamp version’. If you missed the day Kilroy lost his mind, then welcome… in Jam.
Minority Report (2-disc set)
Tom Cruise stars as a ‘pre-crime’ cop on the run, after being fingered as a future murderer. The extras disc goes overboard with design sketches, storyboards, biographies and no fewer than 17 featurettes, with menus in the film’s own hands-on interactive graphics style. The movie’s not at all bad, either.
Doctor Who: The Beginning (3-disc boxed set)
Sinister, giggling William Hartnell abducts two of his granddaughter’s teachers in his time-machine, in Doctor Who the way it was meant to be. These first three stories bring us cavemen, insanity and eerie machine-people called ‘Daleks’. The best of many bonuses brings long-deleted historical story Marco Polo to partial life.
31 August 2006
Festival Blog: Day 3A
Still recovering from Greenbelt -- immense fun though it is, the persistent lack of sleep and constant need to wander aimlessly around the festival site destruct-testing your socks can have deleterious effects.
My reports from Greenbelt for Surefish are missing the actual, rather than speculative, events of my final day-and-a-bit of festival. So, after filing my copy for "Day 2" and (the entirely hypothetical) "Day 3", this is what I actually did:
1. Went back to the petting zoo, where B. and I cuddled a duckling and a guinea-pig, stroked a donkey and some goats and admired two pigs.
2. Spent a while listening to Reem Kalani at the main stage. Despite her astonishingly powerful voice, her wailing violin-accompanied singing was unexpectly soothing. Or maybe I was just very tired.
Hell
3. Attended Fundamentalism, Ikon's alternative worship (or rather "experiment in theodrama"). This was every bit as remarkable as I expected. Ikon's deliberately destabilising, questioning, deconstructionist approach to worship is oddly reassuring, in suggesting that God is present in doubt and absence as much as in faith and revelation. Some people (including, inevitably, some of its members) go so far as to describe the group's worship style as "pretentious", but its intellectual foundations are a good fit for my own current musings about God. And the group demonstrated that they're by no means humourless by picketing their own service with signs claiming that everyone involved was going to Hell.
I'm now reading Ikon founder Pete Rollins' book of theology, How (Not) to Speak of God, which I picked up at the Greenbelt bookshop. It is, again, remarkable. I may say more about it in due course.
3. Stopped briefly by a much less successful (read: "a bit bollocks, actually") experiment in "scripture meditation", then went to bed.
4. Got up early and went with B. to R. and J.'s wedding in Staffordshire. As I've said here this was generally lovely, but the high density of children in the congregation made it surprisingly difficult to hear what was going on. It was the first second wedding (as it were) of a friend that I've been to, and the minister (assuming I heard her correctly) said some very wise-seeming things about renewal, transformation and second chances.
Knob
R. and J. themselves were very happy, R. looking particularly gorgeous in a strapless silk wedding dress thing [1], and there were some people there it was lovely to see after so long. Unfortunately we had to scarper back to the festival after the Pimms and canapés, but our brief time there was very nice indeed.
5. Arrived back on site in time for the Othona Community's One World worship, which I came away having very mixed feelings about. On the one hand, I was delighted to find an even vaguely interfaith service at Greenbelt, which often seems to have a blind spot in its liberalism when it comes to learning from non-Christian faith traditions.
On the other hand, Othona's worship style seemed to revolve around improvisational chanting and interpretive body-movement, which I couldn't possibly participate in without feeling a complete knob [2]. This came as something of a disappointment, frankly.
6. FAFFED ABOUT and entirely failed to do any of the various other interesting things I could have done until about 8:30, when B. and I managed to stumble upon a very funny act by Paul Kerensa, who was on his way home from performing his comedy show Back to the Futon at the Edinburgh Festival. We particularly appreciated his account of being caught speeding at 88 mph in a DeLorean, and his use of (what he assured us was) his joint degree in Mathematics and Film Studies to prove that 99.6% of men were called Malcolm [3].
His warm-up act also had a joke which will entertain vigornian, if no-one else:
8. Slept in a tent. It's difficult to emphasise sufficiently what a huge achievement this was without sounding like a complete wimp, possibly for the obvious reason.
Suffice it to say that at Greenbelt in 1993 a combination of torrential rain, strong winds and calf-deep mud gave me such a horrendous experience of camping that I foreswore it, and Greenbelt itself, for the next ten years. Only the location of the modern festival at Cheltenham Racecourse, and the availability of bed-and-breakfast accommodation on a nearby student campus, succeeded in enticing me back.
Organic
Unfortunately, this year I'd booked my accommodation when I thought I'd have a job to get back to first thing on Tuesday morning, so when it became clear I could stay the Monday night, the only place available for actual sleepage was the tent B. was using.
The cramped space, muddy exterior and disturbing, almost organic softness of the walls caused me some minor palpitations, but I managed to sleep OK, which constitutes a personal milestone. It didn't persuade me not to B&B it next year, though.
9. Helped B. to pack up said tent, got a train home while she drove (there being no actual space for me in the car with all the camping gear), comforted two bereft cats and slept for not nearly long enough. Got up, went to bed and did the same again.
10. Typed this.
Now I'm going to eat some food, probably, watch some TV and go to bed again. With luck, I'll perhaps be not-tired-any-more in time for the Organic Food Festival on Saturday.
[1] R. was, incidentally, the bride.
[2] Ho ho, yes.
[3] Clue: His starting premises were "Malcolm X = 1992 film" and "X Men = 2000 film". You start by solving each equation for X...
My reports from Greenbelt for Surefish are missing the actual, rather than speculative, events of my final day-and-a-bit of festival. So, after filing my copy for "Day 2" and (the entirely hypothetical) "Day 3", this is what I actually did:
1. Went back to the petting zoo, where B. and I cuddled a duckling and a guinea-pig, stroked a donkey and some goats and admired two pigs.
2. Spent a while listening to Reem Kalani at the main stage. Despite her astonishingly powerful voice, her wailing violin-accompanied singing was unexpectly soothing. Or maybe I was just very tired.
Hell
3. Attended Fundamentalism, Ikon's alternative worship (or rather "experiment in theodrama"). This was every bit as remarkable as I expected. Ikon's deliberately destabilising, questioning, deconstructionist approach to worship is oddly reassuring, in suggesting that God is present in doubt and absence as much as in faith and revelation. Some people (including, inevitably, some of its members) go so far as to describe the group's worship style as "pretentious", but its intellectual foundations are a good fit for my own current musings about God. And the group demonstrated that they're by no means humourless by picketing their own service with signs claiming that everyone involved was going to Hell.
I'm now reading Ikon founder Pete Rollins' book of theology, How (Not) to Speak of God, which I picked up at the Greenbelt bookshop. It is, again, remarkable. I may say more about it in due course.
3. Stopped briefly by a much less successful (read: "a bit bollocks, actually") experiment in "scripture meditation", then went to bed.
4. Got up early and went with B. to R. and J.'s wedding in Staffordshire. As I've said here this was generally lovely, but the high density of children in the congregation made it surprisingly difficult to hear what was going on. It was the first second wedding (as it were) of a friend that I've been to, and the minister (assuming I heard her correctly) said some very wise-seeming things about renewal, transformation and second chances.
Knob
R. and J. themselves were very happy, R. looking particularly gorgeous in a strapless silk wedding dress thing [1], and there were some people there it was lovely to see after so long. Unfortunately we had to scarper back to the festival after the Pimms and canapés, but our brief time there was very nice indeed.
5. Arrived back on site in time for the Othona Community's One World worship, which I came away having very mixed feelings about. On the one hand, I was delighted to find an even vaguely interfaith service at Greenbelt, which often seems to have a blind spot in its liberalism when it comes to learning from non-Christian faith traditions.
On the other hand, Othona's worship style seemed to revolve around improvisational chanting and interpretive body-movement, which I couldn't possibly participate in without feeling a complete knob [2]. This came as something of a disappointment, frankly.
6. FAFFED ABOUT and entirely failed to do any of the various other interesting things I could have done until about 8:30, when B. and I managed to stumble upon a very funny act by Paul Kerensa, who was on his way home from performing his comedy show Back to the Futon at the Edinburgh Festival. We particularly appreciated his account of being caught speeding at 88 mph in a DeLorean, and his use of (what he assured us was) his joint degree in Mathematics and Film Studies to prove that 99.6% of men were called Malcolm [3].
His warm-up act also had a joke which will entertain vigornian, if no-one else:
Q: Why are pirates called pirates?7. Went with B. and R. (NB: Not the R. who got married, of course -- that would have been mad) to Last Orders, the late-night magazine-show summing-up of the best of the festival, where we saw Paul Kerensa again. (His jokes were just as funny the second time. Or possibly I was just very, very tired.) Left when it became clear that none of us could keep our eyes open any more.
A: Because they ARRRRRRHHHHH!
8. Slept in a tent. It's difficult to emphasise sufficiently what a huge achievement this was without sounding like a complete wimp, possibly for the obvious reason.
Suffice it to say that at Greenbelt in 1993 a combination of torrential rain, strong winds and calf-deep mud gave me such a horrendous experience of camping that I foreswore it, and Greenbelt itself, for the next ten years. Only the location of the modern festival at Cheltenham Racecourse, and the availability of bed-and-breakfast accommodation on a nearby student campus, succeeded in enticing me back.
Organic
Unfortunately, this year I'd booked my accommodation when I thought I'd have a job to get back to first thing on Tuesday morning, so when it became clear I could stay the Monday night, the only place available for actual sleepage was the tent B. was using.
The cramped space, muddy exterior and disturbing, almost organic softness of the walls caused me some minor palpitations, but I managed to sleep OK, which constitutes a personal milestone. It didn't persuade me not to B&B it next year, though.
9. Helped B. to pack up said tent, got a train home while she drove (there being no actual space for me in the car with all the camping gear), comforted two bereft cats and slept for not nearly long enough. Got up, went to bed and did the same again.
10. Typed this.
Now I'm going to eat some food, probably, watch some TV and go to bed again. With luck, I'll perhaps be not-tired-any-more in time for the Organic Food Festival on Saturday.
[1] R. was, incidentally, the bride.
[2] Ho ho, yes.
[3] Clue: His starting premises were "Malcolm X = 1992 film" and "X Men = 2000 film". You start by solving each equation for X...
10 July 2006
Winning Gaol
Last weekend was rather more interesting than the one just gone. Saturday involved a trip to Oxford, to coincide with the brief return from their Californian exile of the Sybil and Dr Cosmos. Sadly we couldn't manage to see their Cosmic-Sybilline offspring, young C., who was with some grandparents somewhere while her parents visited Brightybot and Hatmandu, but it was still very lovely to see the two of them. It happens all too rarely these days.
We met them (and a stray Fr Maniple) at The Jericho Café, which I remember happily as the site of many fine breakfasts when I lived a short distance up the road. The afternoon was spent happily pottering around secondhand bookshops together, dropping in at Borders and fortifying ourselves at George and Danver before investigating the new development on the site of what was once H.M. Prison Oxford, and before that Oxford Castle.
The castle visitors' centre didn't seem quite as ready for visitors as it presumably will be, but it was fascinating to walk around the intact prison buildings and courtyards. Most of the space is being used for one-size-fits-all eatery chains and an open-air theatre, but there is a rather marvellous hotel which we managed to sneak into.
As some of the images here suggest, it's a bizarre environment -- brutalist metal-and-concrete architecture overlaid with plush upholstery and deep-pile carpets. We didn't get to see inside a guest-cell, but the main staircase area looked as if some mad billionaire had made a home inside the sets of Porridge -- which was, predictably, playing on continuous loop in the lobby.
The publicity material plays up the prison angle for all it's worth ("daring escape destination", indeed), but the leaflets mention one aspect which the website doesn't go into. Apparently there's a "House of Correction", rather more expensive than the standard rooms, which is said to be reserved "for the very very naughty". One can only speculate... but I suppose, if you're going to convert a prison into a hotel, you may as well cater to a specialist clientele while you're at it.
Climbing the castle mound gave an unusual perspective on the city -- except for Nuffield College library there are very few tall buildings southwest of the centre, where the castle / prison / hotel is, so there was a sense of sneaking up on the dreaming spires from behind.
Our train journey back to Bristol was lovely and quiet, apparently because everybody was at home watching some game of soccer or other.
Sunday B. and I mostly spent lounging around in The Coronation, it being too bloody hot to do anything else. Oh, and we also finished our epic rewatch of Buffy, which deserves a post of its own at some point soon. But not today.
We've started on Ultraviolet now.
We met them (and a stray Fr Maniple) at The Jericho Café, which I remember happily as the site of many fine breakfasts when I lived a short distance up the road. The afternoon was spent happily pottering around secondhand bookshops together, dropping in at Borders and fortifying ourselves at George and Danver before investigating the new development on the site of what was once H.M. Prison Oxford, and before that Oxford Castle.
The castle visitors' centre didn't seem quite as ready for visitors as it presumably will be, but it was fascinating to walk around the intact prison buildings and courtyards. Most of the space is being used for one-size-fits-all eatery chains and an open-air theatre, but there is a rather marvellous hotel which we managed to sneak into.
As some of the images here suggest, it's a bizarre environment -- brutalist metal-and-concrete architecture overlaid with plush upholstery and deep-pile carpets. We didn't get to see inside a guest-cell, but the main staircase area looked as if some mad billionaire had made a home inside the sets of Porridge -- which was, predictably, playing on continuous loop in the lobby.
The publicity material plays up the prison angle for all it's worth ("daring escape destination", indeed), but the leaflets mention one aspect which the website doesn't go into. Apparently there's a "House of Correction", rather more expensive than the standard rooms, which is said to be reserved "for the very very naughty". One can only speculate... but I suppose, if you're going to convert a prison into a hotel, you may as well cater to a specialist clientele while you're at it.
Climbing the castle mound gave an unusual perspective on the city -- except for Nuffield College library there are very few tall buildings southwest of the centre, where the castle / prison / hotel is, so there was a sense of sneaking up on the dreaming spires from behind.
Our train journey back to Bristol was lovely and quiet, apparently because everybody was at home watching some game of soccer or other.
Sunday B. and I mostly spent lounging around in The Coronation, it being too bloody hot to do anything else. Oh, and we also finished our epic rewatch of Buffy, which deserves a post of its own at some point soon. But not today.
We've started on Ultraviolet now.
09 May 2006
A Momentary Break in the Static
I'm sorry, once again, about the radio silence from these parts. I'm snowed under with various aspects of work and life at present, and keeping the blog updated is -- just for the moment -- rather more than I can manage on a regular basis.
Things which I am up to include two short fiction projects for Big Finish, both of which are for different reasons rather longer, rather more interesting and considerably bittier to write than the usual fare. I'm enjoying them both very much, but they are taking up large chunks of the available time. Expect to see moderately exciting announcements reasonably soon now.
I'm still hoping that time will soon allow me to post more regularly, and more interestingly, here and on Parrinium Mines. But, er, not the moment. Sorry.
If you were wondering, Club Sabbath was tremendous fun, despite some teething troubles -- it's probably already going down in urban legend as the night with as many M.C.s as there were comedians, after several of Lawrence's associates found their improv skills in demand following his early and impromptu vanishing act. What with the masks, it's always possible some of the punters present didn't notice.
Still, everyone involved was funny -- sadly Danielle Ward wasn't able to be there, but I was glad to have the opportunity to discover that Natalie Haynes is just as hilarious.
What's more, the London Stone is a surprisingly atmospheric and strange venue, belying the gothy kitsch of its owners' website. The whole of the cellar bar is painted to resemble a library in the idiom of Edgar Allen Poe, with the toilets hidden amusingly behind concealed doors in the painted bookshelves. Along with the predictable skulls and candles there's a large display case full of alchemical instruments. It's very odd.
The beer's hopeless, mind you. Still, it was tremendous fun to meet up with numerous splendid people, including Vigornian, Puffinry, Mags and The Ladylark, and to talk Doctor Who with some of them.
Back in Bristol, B. and I have discovered another rather decent pub in our near vicinity. This one is a bit gentrified, and some of the rooms do look a little like a furniture catalogue... but it does Bristol Beer Factory beers, and Wild Hare organic lager, and Pieminister's fantastic pies (the "Mighty Aphrodite" with aubergine, pepper and feta being particularly recommended), and is thus deserving of our custom.
Otherwise, things are manic yet strangely uninteresting. Our Buffy and Six Feet Under retrospectives have now progressed to seasons Six and Five respectively, and I'm reading books by two S.F.-or-affiliated authors about whom I've raved here previously: Priest's The Affirmation (a sequel of sorts to The Dream Archipelago, although predictably one which subverts it entirely) and McAuley's Fairyland , both of which are fantastic.
(My copy of Fairyland has "Philip Hallard 1997" written in the flyleaf. Frustratingly, I've only just got round to reading it.)
And -- while I usually make it a policy not to bang on about Doctor Who here more than my general career path makes necessary -- I can't resist pointing out that The Girl in the Fireplace was a beautiful, intricately-crafted clockwork miniature of an episode, single-handedly restoring my faith in the series after what I've felt to be a very rocky start to this season and to David Tennant's tenure as the Doctor. Praise be to Steven Moffat.
Things which I am up to include two short fiction projects for Big Finish, both of which are for different reasons rather longer, rather more interesting and considerably bittier to write than the usual fare. I'm enjoying them both very much, but they are taking up large chunks of the available time. Expect to see moderately exciting announcements reasonably soon now.
I'm still hoping that time will soon allow me to post more regularly, and more interestingly, here and on Parrinium Mines. But, er, not the moment. Sorry.
If you were wondering, Club Sabbath was tremendous fun, despite some teething troubles -- it's probably already going down in urban legend as the night with as many M.C.s as there were comedians, after several of Lawrence's associates found their improv skills in demand following his early and impromptu vanishing act. What with the masks, it's always possible some of the punters present didn't notice.
Still, everyone involved was funny -- sadly Danielle Ward wasn't able to be there, but I was glad to have the opportunity to discover that Natalie Haynes is just as hilarious.
What's more, the London Stone is a surprisingly atmospheric and strange venue, belying the gothy kitsch of its owners' website. The whole of the cellar bar is painted to resemble a library in the idiom of Edgar Allen Poe, with the toilets hidden amusingly behind concealed doors in the painted bookshelves. Along with the predictable skulls and candles there's a large display case full of alchemical instruments. It's very odd.
The beer's hopeless, mind you. Still, it was tremendous fun to meet up with numerous splendid people, including Vigornian, Puffinry, Mags and The Ladylark, and to talk Doctor Who with some of them.
Back in Bristol, B. and I have discovered another rather decent pub in our near vicinity. This one is a bit gentrified, and some of the rooms do look a little like a furniture catalogue... but it does Bristol Beer Factory beers, and Wild Hare organic lager, and Pieminister's fantastic pies (the "Mighty Aphrodite" with aubergine, pepper and feta being particularly recommended), and is thus deserving of our custom.
Otherwise, things are manic yet strangely uninteresting. Our Buffy and Six Feet Under retrospectives have now progressed to seasons Six and Five respectively, and I'm reading books by two S.F.-or-affiliated authors about whom I've raved here previously: Priest's The Affirmation (a sequel of sorts to The Dream Archipelago, although predictably one which subverts it entirely) and McAuley's Fairyland , both of which are fantastic.
(My copy of Fairyland has "Philip Hallard 1997" written in the flyleaf. Frustratingly, I've only just got round to reading it.)
And -- while I usually make it a policy not to bang on about Doctor Who here more than my general career path makes necessary -- I can't resist pointing out that The Girl in the Fireplace was a beautiful, intricately-crafted clockwork miniature of an episode, single-handedly restoring my faith in the series after what I've felt to be a very rocky start to this season and to David Tennant's tenure as the Doctor. Praise be to Steven Moffat.
23 April 2006
Club Sabbath
It's probably time I plugged this:
[Click on little images for big images.]
It's a standup comedy club night in a London pub, organised and compèred by my one-time editor and occasional collaborator Lawrence Miles.
[Edit to add:]
The pub is The London Stone 105 Cannon Street EC4N, which is located just opposite Cannon Street station -- although the nearest stations actually open on a Sunday are Monument and Mansion House, apparently.
(The pub seems to be named after an actual London Stone, which I'd never heard of before. It shows signs of being a goth pub -- or, even more worryingly, a wannabe-goth pub -- but that shouldn't affect the quality of the comedy one way or the other. Decent beer doesn't look noticeably likely.)
It's happening next Sunday evening, 30 April. Doors open at 7:30 (although quite how that works in the context of a pub I'm not too sure), and the comedy begins at 8. Price on the doors is £5, although it's been widely rumoured that anyone bringing a remote-control Dalek will get in at half price.
Lawrence's sense of humour is weird, eclectic and borderline psychotic, and the guest comedians -- Natalie Haynes, Hils Barker, Danielle Ward, Steve Mould, Caroline Clifford and Helen Keen -- seem to be well thought of. I've heard Ward on the radio, anyway, and she's certainly very funny. So it should be good for a laugh.
I'll be there, at least.
[Click on little images for big images.]
It's a standup comedy club night in a London pub, organised and compèred by my one-time editor and occasional collaborator Lawrence Miles.
[Edit to add:]
The pub is The London Stone 105 Cannon Street EC4N, which is located just opposite Cannon Street station -- although the nearest stations actually open on a Sunday are Monument and Mansion House, apparently.
(The pub seems to be named after an actual London Stone, which I'd never heard of before. It shows signs of being a goth pub -- or, even more worryingly, a wannabe-goth pub -- but that shouldn't affect the quality of the comedy one way or the other. Decent beer doesn't look noticeably likely.)
It's happening next Sunday evening, 30 April. Doors open at 7:30 (although quite how that works in the context of a pub I'm not too sure), and the comedy begins at 8. Price on the doors is £5, although it's been widely rumoured that anyone bringing a remote-control Dalek will get in at half price.
Lawrence's sense of humour is weird, eclectic and borderline psychotic, and the guest comedians -- Natalie Haynes, Hils Barker, Danielle Ward, Steve Mould, Caroline Clifford and Helen Keen -- seem to be well thought of. I've heard Ward on the radio, anyway, and she's certainly very funny. So it should be good for a laugh.
I'll be there, at least.
19 April 2006
Increase Your Mirth by 20%
Like Peculiar Times, Spamusement seems to have entered something of a lull recently.
I thought of this because one of the most ubiquitous pieces of junk email that I've been getting recently persists in informing me that "Ratess will skyrocket soon".
I wonder when it's going to happen? I imagine her sitting in her little cockpit, tiny flying-goggles on her furry face, as she courageously faces her pioneering destiny.
I thought of this because one of the most ubiquitous pieces of junk email that I've been getting recently persists in informing me that "Ratess will skyrocket soon".
I wonder when it's going to happen? I imagine her sitting in her little cockpit, tiny flying-goggles on her furry face, as she courageously faces her pioneering destiny.
30 March 2006
Beer Pressure
Had a thoroughly enjoyable time last weekend with Silk and his good lady Kate, who it's very lovely to see back together again after a recent period of dithering. We'd been planning, originally, to go to the Bristol Beer Festival, but unfortunately the tickets sold out in record time months ago. The centrepiece of the weekend was therefore a linear pub crawl from North Bristol back to our house, starting at about 1pm and finishing at 10:30pm because we wanted to get chips on the way home.
Present: self, B., Silk, Kate, my friend Anthony and Kate's friend Vaughn. Ants was with us until 7ish, when he had to return home to Petersfield and his wife and daughter. Vaughn joined us in a pub or two. B.'s stamina failed her at about 8:30 (well, she's been working hard recently), and she took a bus home.
Itinerary of pubs visited:
1. The Hare on the Hill. Very pleasant small pub owned by Bath Ales, whose available varieties we sampled all of between us. I had the S.P.A. Bath are my favourite local brewers' since Smiles went tits-up (of which more anon), and The Hare is one of their four pubs in Bristol, all of which are excellent. They do very nice crisps, too.
2. Micawber's Ale House. A solid traditional pub with some good real ales and musical tastes running oddly to 70s disco. I had a pint of Brains S.A., I think, although at this point I still hadn't had lunch and was getting a bit light-headed. We therefore repaired to...
3. Zerodegrees. Local branch of a chain of two microbreweries-cum-nightclubs (apparently a third is opening in Reading sometime soon), which I've had cause to mention here before. This was included largely for the excellent pizzas, of which we had several. On the beer front I drank the black lager, which is always Mmmmm, and the overly sweet mango beer, which I wasn't nearly drunk enough to enjoy.
4. A diversion to the recently-reopened Smiles Brewery Tap, which was deeply disappointing. Smiles closed down last year and has been bought out by Highgate, who don't seem on the evidence we sampled to be brewing the beers to anything like the same standard. (It's also no longer brewed on the premises, making the pub's name a bit of a misnomer.) They sold us chocolate, though.
5. The Bank. We'd never been here before, but it stood in at the last minute for The Three Sugar Loaves, which was unexpectedly closed. I can't remember what I had to drink -- whatever the guest ale was, I assume, but things were becoming pleasantly fuzzy by this stage. We played dominoes, and listened to Guns'n'Roses singing "Live and Let Die" on the juke box.
6. The Cornubia. One of the major highlights of Bristol's real ale scene. The Cornubia always has half a dozen different real ales on tap, and half of them are generally very obscure. I have no idea what I drank here, but it was bloody good. We ran into some loud refugees from the Beer Festival, and a random Doctor Who author was working behind the bar. Ants left and Vaughn joined us, after a certain amount of getting lost.
7. The Shakespeare. One of no fewer than four pubs of that name in Bristol. (B. and I used to go to pub quizzes at The Shakespeare when we lived nearby, and we occasionally met up for lunch at the daringly-named Ye Shakespeare when we both worked in town. I hadn't heard of The Shakespeare until just now, though.[Edit 31/2/6: No, I'm wrong -- we went there when we went to Glasnost one time. I hadn't realised that was what it was called, but under the circumstances I should probably have expected it. Anyway...]) The one in Prince Street has a banner outside boasting of its real ales, and does indeed do some very nice ones. Reconstructing my probable state of mind at the time, I imagine I had the Greene King I.P.A., but I can't swear to it. I remember crisps, though. Vaughn and B. both left us after this one. Personally I was impressed that any of us had lasted this long.
8. The Coronation. One of our two locals, in the sense that it's within reasonable walking distance of us and we go there sometimes. (They do a free cheeseboard on a Sunday.) Owned by Hop Back, and selling a fine selection of their splendid beers. Again, I forget what I had -- possibly the Odyssey. Distressingly, though, they'd stopped doing food.
9. The Tobacco Factory. Our other kind-of-local, and our last stop before the chip shop. They sell Bristol Beer Factory beers, which are very tasty. I drank the Red, which for some reasons isn't listed on the website, but is my favourite of their beers.
By this point I was feeling extremely hungry, so we bought chips and pasties, came home and watched as many episodes of series one of Look Around You as we could before we fell over.
We followed this up on Sunday with a relatively tame trip to The Boston Tea Party and Bristol City Museum.
Present: self, B., Silk, Kate, my friend Anthony and Kate's friend Vaughn. Ants was with us until 7ish, when he had to return home to Petersfield and his wife and daughter. Vaughn joined us in a pub or two. B.'s stamina failed her at about 8:30 (well, she's been working hard recently), and she took a bus home.
Itinerary of pubs visited:
1. The Hare on the Hill. Very pleasant small pub owned by Bath Ales, whose available varieties we sampled all of between us. I had the S.P.A. Bath are my favourite local brewers' since Smiles went tits-up (of which more anon), and The Hare is one of their four pubs in Bristol, all of which are excellent. They do very nice crisps, too.
2. Micawber's Ale House. A solid traditional pub with some good real ales and musical tastes running oddly to 70s disco. I had a pint of Brains S.A., I think, although at this point I still hadn't had lunch and was getting a bit light-headed. We therefore repaired to...
3. Zerodegrees. Local branch of a chain of two microbreweries-cum-nightclubs (apparently a third is opening in Reading sometime soon), which I've had cause to mention here before. This was included largely for the excellent pizzas, of which we had several. On the beer front I drank the black lager, which is always Mmmmm, and the overly sweet mango beer, which I wasn't nearly drunk enough to enjoy.
4. A diversion to the recently-reopened Smiles Brewery Tap, which was deeply disappointing. Smiles closed down last year and has been bought out by Highgate, who don't seem on the evidence we sampled to be brewing the beers to anything like the same standard. (It's also no longer brewed on the premises, making the pub's name a bit of a misnomer.) They sold us chocolate, though.
5. The Bank. We'd never been here before, but it stood in at the last minute for The Three Sugar Loaves, which was unexpectedly closed. I can't remember what I had to drink -- whatever the guest ale was, I assume, but things were becoming pleasantly fuzzy by this stage. We played dominoes, and listened to Guns'n'Roses singing "Live and Let Die" on the juke box.
6. The Cornubia. One of the major highlights of Bristol's real ale scene. The Cornubia always has half a dozen different real ales on tap, and half of them are generally very obscure. I have no idea what I drank here, but it was bloody good. We ran into some loud refugees from the Beer Festival, and a random Doctor Who author was working behind the bar. Ants left and Vaughn joined us, after a certain amount of getting lost.
7. The Shakespeare. One of no fewer than four pubs of that name in Bristol. (B. and I used to go to pub quizzes at The Shakespeare when we lived nearby, and we occasionally met up for lunch at the daringly-named Ye Shakespeare when we both worked in town. I hadn't heard of The Shakespeare until just now, though.[Edit 31/2/6: No, I'm wrong -- we went there when we went to Glasnost one time. I hadn't realised that was what it was called, but under the circumstances I should probably have expected it. Anyway...]) The one in Prince Street has a banner outside boasting of its real ales, and does indeed do some very nice ones. Reconstructing my probable state of mind at the time, I imagine I had the Greene King I.P.A., but I can't swear to it. I remember crisps, though. Vaughn and B. both left us after this one. Personally I was impressed that any of us had lasted this long.
8. The Coronation. One of our two locals, in the sense that it's within reasonable walking distance of us and we go there sometimes. (They do a free cheeseboard on a Sunday.) Owned by Hop Back, and selling a fine selection of their splendid beers. Again, I forget what I had -- possibly the Odyssey. Distressingly, though, they'd stopped doing food.
9. The Tobacco Factory. Our other kind-of-local, and our last stop before the chip shop. They sell Bristol Beer Factory beers, which are very tasty. I drank the Red, which for some reasons isn't listed on the website, but is my favourite of their beers.
By this point I was feeling extremely hungry, so we bought chips and pasties, came home and watched as many episodes of series one of Look Around You as we could before we fell over.
We followed this up on Sunday with a relatively tame trip to The Boston Tea Party and Bristol City Museum.
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