Showing posts with label time signature. Show all posts
Showing posts with label time signature. Show all posts

08 January 2012

Snippet

Looking through old documents recovered from my previous computer, I found this, which I have absolutely no memory of.

Titled "Website vague idea thing.doc", it appears to be my early stab at a bonus story for my website, bringing elements from "Nursery Politics" and "The Ruins of Time" at the same point in Of the City of the Saved... that I eventually used for another website bonus story, "Unification Theory". It's incomplete, obviously, but you may, as I did, find it briefly diverting.
     ‘Ma’am,’ says one of the more heavily-armoured of the security personnel, ‘sir. May I see your invitations, please?’

     The left-hand member of the black-upholstered duo (the man, though the bodily divergence between the two is hardly striking) pulls a white card from the inner pocket of his frock-coat, as from a shoulder-holster. ‘Mr Smits,’ he says, then nodding to his right, ‘Ms Lefèvre. We’re with one of the research institutes,’ he asserts blandly.

     Naked of mask, his smoke-glassed eyes reflect the parsecs-distant skyline.

     The security man runs the invitation through a handheld scanner, then inclines a plated head. ‘Very good, sir. Sorry to have bothered you.’ He trundles away.

     When he is out of earshot, the woman called Lefèvre by the man calling himself Smits mutters, ‘I told you we were too conspicuous. We should have dressed to blend in.’

     ‘That’s not our way,’ says Smits. ‘The Director never approved of undercover work. We’re here to watch the Houseworlder. It doesn’t matter if he knows we’re here.’

     The colleagues stare for some time at the dark-skinned, white-djellabaed figure of Professor Handramit, sharing a quiet cigarette at the parapet with one of his hosts. His human shape unnerves the agents, even more than the collateral security man’s contaminated biodata.

     ‘At least we know who this one is,’ Lefèvre says at length. ‘Not like that herm they found in Tormance.’

     Smits shifts uneasily. ‘That’s just a rumour.’

     ‘Whatever,’ his colleague says. ‘I believe Mr Sideras.’

     It is a rumour which none of the Institute’s personnel likes to think about. Supposedly, the alien whom Mr Sideras found in Tormance District had been passing for some years as a normal working hermaphrodite: making wooden furniture to sell, socialising at the colour bars, on amicable terms with customers and neighbours. Had it not been for the exquisitely-honed paranoia of Sideras’s colleague Ms Gowan, the carpenter’s dried skin-secretions on a recently-built kneelchair and a portable biodata-analysis kit, the interloper might have gone undetected for many more years.

     If correct, the story of the hermaphrodite would suggest quite inescapably that somebody is resurrecting humanoid aliens – people, to use the word in its loosest sense, who appear human, yet are the heirs to no human ancestry whatsoever – and sending them to act as spies among the honest panhuman populations of the City.

     Unnervingly, this specimen remains at large. The attempt at arrest did not favour Sideras and Gowan, and the latter has since entered seclusion. The rumour runs that she is, somehow, paralysed: not harmed, of course (that being categorically impossible) but preserved, intact and perfect, in a condition of stasis, as if for her the passage of time has been indefinitely suspended.

     Within the City this, too, should be a categorical impossibility, although the fact is less well known.

04 May 2009

Half-Price Trips

If the steepish price has so far put you off buying The History of Christmas and Time Signature, the Short Trips volumes containing my two licensed Doctor Who short stories, you may be interested to know that they and the other 26 volumes in the series are currently half price at the Big Finish website. This means each hardback costs £7.50 -- a moderate price for a paperback these days -- or you can have both for the price of one a couple of days ago. Postage and packing are free within the UK, as well.

This is effectively a closing-down sale for the range, and stocks of some titles are supposedly low, though I have no information as to whether these two are among them.

Still -- if you've ever wanted to see the eighth Doctor celebrating midwinter on a brown dwarf planet, or the first Doctor exploring a world from which time is literally running out, this would be the opportunity. Other titles in the range I'd highly recommend would be Transmissions and 2040.

04 March 2007

Signature Recognition

The latest Doctor Who Magazine has a very pleasing review by Matt Michael of Short Trips: Time Signature. I've been ambivalent about a previous review of Matt's, but this one lavishes Simon's anthology with well-deserved praise.

My favourite sentences are, predictably, these two:
"The Ruins of Time" by Philip Purser-Hallard has the First Doctor and his companions materialise on the planet Torcaldi, where time can be stolen as though it's a commodity, leaving burgled individuals frozen eternally. Purser-Hallard skilfully evokes the atmosphere of the early Hartnell episodes, where each new world is a dangerous and mysterious environment, and the result is quietly masterful.
Let's just read that last bit again, shall we?
...and the result is quietly masterful.
Yes, lets.

Matt is equally fulsome about some other stories in the collection, notably Ben Aaronivitch's "Gone Fishing", Jonathan Clements' "Second Contact" and Joff Brown's "Walking City Blues", all of which I too thought were excellent.

In the same issue Vanessa Bishop is also very positive about Collected Works, although at less length and with no direct mention of my quiet masterfulness. She seems to have liked the Quire, though.

09 November 2006

I'm a Big Review Slut...

...and on these grounds I thoroughly approve of Sci-Fi Online's Richard McGinlay. Especially when he says things like:
Best of all is "The Ruins of Time", in which Philip Purser-Hallard brilliantly captures the essence of the original TARDIS team. His story also features a cliffhanging end-of-scene moment on practically every other page, which makes it a real page-turner.
I remember he was rather flattering about my story in A Life Worth Living a couple of years ago as well... although his review of Peculiar Lives was a little odd.

I've been revamping the reviews pages at www.infinitarian.com, incidentally, with quotes from the reviews in question:If you know of any reviews I've missed, do let me know. I've seen none for Collected Works as yet, but it's only recently out.

03 November 2006

Sample Signature

This week has turned out extraordinarily manic. Some of this was expected (birthday on Wednesday, birthday party tomorrow), some of it less so, but it's all got in the way of updating this blog.

Nor do I have time for a long entry now -- I'll be back early next week with more detail as to what's been going on, and probably also a roundup of birthday presents.

In the meantime... I know I said I'd stop plugging Time Signature. However, those of you who are wavering about buying the book -- or indeed who've decided not to buy it at all -- may be interested to know that Big Finish have put my story, "The Ruins of Time", online in its entirety as a sample.

Assuming your computer can read Adobe PDF documents, you can get the story by going here and clicking where it says "Download and read 'The Ruins of Time' by Philip Purser-Hallard."

Share and enjoy.

26 October 2006

Got Up. Faffed. Updated My Blog.

Thanks to hatmandu for pointing me towards these six-word stories by various authors. I particularly like Charles Stross's Bin Laden story, but Bruce Sterling, Stephen Baxter and Alan Moore also manage some impressive work in the space available.

A morning of prevaricating, as usual, has led to me posting various six-fics of my own as comments to Hat's blog entry above. I might as well archive them here for general interest:

"Her dying wish," sighed King Albert.

98TH LEGION UNDER QUINTUS TAKES TENOCHTITLAN

"Hi. Meet my wife and husbands."

My other head plots against me.

Nanoterrorism is so passé these days.

IN THE beginning, Satan created God.

And, moving uncharacteristically away from SF and religion:

Jane Errs: "Reader, I shagged him."

Oulipo, fixing wilful limits, cramps author.

Accurate haiku
need heptasyllables and
pentasyllables.

(NB: Those last two I've altered slightly to stand independent of their original context. Which makes the whole "archiving" pretext rather flimsy, really.)

Returning to more traditionally constructed fiction... my copies of Collected Works and Time Signature arrived this morning, for which many thanks to the nice people at Big Finish. They look, as I've mentioned, really rather neat with their minimalist white covers. (Not that that's the nicest thing I can think of to say about them, it's just the first thing that occurs to me as I look at them now.)

I'm pleased with my work in both, but also with the company I'm keeping between -- as it were -- the covers. Time Signature includes work from Ben Aaronovitch, Andrew Cartmel and Marc Platt -- three of the best of the Doctor Who novelists of the 1990s, and indeed of the original T.V. programme's scriptwriters during its last years -- as well as from some of the most interesting short-story writers to emerge from Big Finish's Short Trips anthologies. Collected Works similarly includes work from an impressive number of the most impressive Doctor Who novelists to emerge during the 2000s, all of whom I admire greatly.

I'd read most of Collected Works before publication, and it's a really strong collection, with a coherent through-story and some outstanding individual pieces. Nick Wallace (one of those emerging novelists, and indeed the last to slip under the bar before the new T.V. series made the Doctor Who novels a closed shop) has done an excellent job, his first as a editor. I'm also very pleased with my own contributions -- five short pieces (though these are more like six pages each than six words), and one longer one co-written with Nick, all based around a group of visitors from the far future.

Time Signature I've yet to read all of, but I know that Simon Guerrier had an equally strong ongoing story in mind and made some excellent editorial choices, so I anticipate being impressed by that one as well. Certainly I'm just as happy with my story, a "condensed novel" about William Hartnell's original Doctor exploring a world where time is rather literally in short supply.

Ah, well. I'm going to stop plugging these here now, doubtless to the relief of most of you (although I reserve the right to link to reviews, if there are any). You know where you can get your own copies if you want to.

25 October 2006

Love Is Blind. It's Also Cupboard.

Blogspot isn't letting me access my account at present, so I'm composing this in Word on Wednesday afternoon. Heaven knows when I'll be allowed to post it...

You’ll be thrilled to know, possibly, that both Collected Works and Time Signature quite definitely exist in book form. I've seen them both in Forbidden Planet, and very pretty they look too. Hopefully my contributors' copies will turn up from Big Finish at some point in the not too distant future.

This past week’s been a tad trying, as B. and (latterly) I have been redecorating our kitchen: papering and painting walls, painting and re-handling cupboards, putting in new shelves and blinds and all kinds of faff and fiddle. The results –- still incomplete though they are –- are looking good. Whereas before the kitchen was coloured nasty yellow




with woody brown




cupboards and a big patch of bare icky salmon grey




plaster beneath waist level from when we had a damp course put in, now it's like totally apple white





with cupboards that are all
tasteful dark green




and chrome fittings which are like this much nicer shade of grey




. Only more reflective.

(One day you'll be able to set the reflectiveness of your computer screen to any level you want. We'll have to think of a new word for mirror websites.)

As I've mentioned before, I don't react well to having my habitat mucked about with, so I've found all of this fairly stressful. (On the plus side, though, this has provided an excuse to eat plenty of cheese and chocolate -- which, on the minus side, my waistline hasn't been inclined to accept with any sympathy.) The cats have been very clingy, as well, and are suspicious of the way things smell in there now.

In particular, having the blinds missing for over a week has made me feel surprisingly vulnerable, although I'm quite sure none of our rearward neighbours has any interest in watching me cook, eat, or indeed screw (which I've been doing quite a lot of over the past few days -- there've been a good many fixtures and fittings to attach to things. Ho ho ho, I bet you all thought I meant "screw" in the sense of "copulate".)

Now, though, we have shiny venetian slatted things up instead, which are far nicer than the dangly fabric things we inherited from our predecessors. They're so reflective that they make the room feel daylit even when half-open, which is fantastic.

The whole thing's a big improvement, naturally, but I can't help feeling it's involved an great deal of effort. Still, that's just me -- certainly B.'s very happy with the whole thing, which is good, and she claims it will make the house more saleable when we move. So three cheers for that, even if they're rather weary and stressed cheers.


[Edit 29/10/2006: Better approximations of colours, courtesy of B. Although I'm not sure about the plaster, to be honest.]

18 October 2006

Collecting Myself

No, this isn't the longer blog post I promised on Monday -- I've got a job interview later today, and the preparation has got in the way of that a bit. Sorry about that.

However, an announcement: with the book due out (I believe) this very week, Big Finish have now released the contributors' list for Collected Works, which you may agree is even more exciting than the selection of authors previously announced.

Accordingly I've updated my own Collected Works page with more information, and a brief teaser for my stories.

...ah, yes, stories. My pieces in Collected Works consist of five themed shorts under the umbrella title "Perspectives", and a finale, co-written with the editor Nick Wallace, which ties up the collection's ongoing storylines. I also created the background for some new characters, the Quire, whose arc story forms one of the backbones of the anthology[1].

I'm immensely pleased with how the book's worked out -- it's a credit to Nick and to the impressively talented list of contributors he put together.

You should all buy it, and while you're at it buy Time Signature too. Hell, why not buy them both at Peculiar Tomes? Go on, treat yourself.


[1] Yes, it has more than one backbone. Shh.

16 October 2006

Introducing Peculiar Tomes

A proper blog post should be forthcoming in the next day or so. In the meantime, come and have a look at this, which I've spent the morning putting together using Amazon's "aStore" technology.

I need to put in some links from the main www.infinitarian.com site.. but in the meantime, if for some reason any of you haven't got all my books yet, or haven't yet got round to preordering Time Signature or Collected Works, you could help test the site by doing it now.

09 September 2006

By Grabthar's Hammer, What a Savings

Not that I'm intending to turn this blog into a running plug[*] or anything, but Amazon.co.uk inform me that "As someone who has purchased books by Simon (ed) Guerrier", I may be interested to know that Time Signature can currently be pre-ordered at a reduced price of £9.89 rather than £14.99.

Just thought I'd pass it on.

[*] "Running plug"? Hmm. Is that a mixed metaphor, or just a contradiction in terms?

04 September 2006

Phil explained abstractedly.

I've been having fun playing with Word's AutoSummarize feature. As the online help explains, this would appear to work by counting which words appear most often and then extracting in their entirety the sentences which contain the highest proportion of high-scoring words. As this response suggests, it's probably a better tool for checking a document's linguistic biases than for actually writing anything resembling an intelligible abstract.

Summarising my Guardian article in ten sentences produces the following:
On first reading a Philip K Dick novel, many people wonder what kind of twisted mind could come up with such ideas. The answer is a very twisted mind indeed - even when writing science fiction, Dick wrote from experience. Dick's insights into the true nature of reality were spectacular and varied. A break-in at Dick's house in 1971 – not altogether surprising given the proclivities of his recent house-guests – took on great personal significance. Now, for all we know, Dick might have been predisposed to such delusions whatever his lifestyle, but the drugs can't have helped – and Dick realised this. That March had been an eventful month for Dick. For the rest of his life, Dick was obsessed with explaining these events. Dick based his final novel, The Transmigration Of Timothy Archer, around his extraordinary life.

Dick's interpretation of his visions changed on an almost daily basis. It's not a theology that more conventional Christians would recognise, but Dick worked it through in detail.
The trouble with this is that it's deceptively coherent: it appears to be telling a connected story, but misleads in at least two important respects (The break-in didn't happen in March, and Transmigration is based around Bishop James Pike's life, not Dick's).

The tool isn't very good at avoiding section headings (to get the above I had to cut out the title and the sidebar), and it seems to have a strong bias towards short sentences. Trimming "Sex Secrets of the Robot Replicants" to 20 sentences comes up with:
Jason frowned. ‘Jason has library books?’ Bernice asked, puzzled. Bernice frowned. This copy must be Jason’s own, she guessed. Benny closed the book and sat down gingerly on Jason’s rumpled, sweaty duvet.

‘I’ll tell you why I ask,’ Benny told Jason later. ‘Benny, I can explain,’ Jason protested weakly. ‘Of course you can explain, Jason,’ she retorted. ‘You faked your academic credentials once,’ said Jason sulkily.

Bernice subsided, fuming.

‘Snotty-nosed cow,’ Jason said now. Benny rolled her eyes. Benny asked him. Jason appeared hurt. Jason told her.

Jason Kane

Jason was standing up. ‘To full Jason Kane standard, natch.’

‘Yeah, well,’ the nearest Jason concluded miserably.
...which is actually surprisingly fair, although I'm not sure how some of those sentences scored as highly as they did.

Annoyingly, the feature seems happy to repeat entire sentences. An attempt to put Of the City of the Saved... through it mostly produced a string of chapter headings reading "The City".

Summarising "The Long Midwinter" in 20 sentences gives us the hauntingly Beckettian:
II. Samson

Samson Griffin’s suit itched.

‘Well then, Kebalau,’ the Doctor said. Samson’s eyes bulged. ‘Happy Midwinter Festival, Kebalau.’

The Doctor crossed his arms. It was my idea, Doctor. The Doctor frowned. Samson muttered.

Gemma frowned. V. The Doctor

The Doctor raised an eyebrow. The Doctor nodded sadly. Heskiu pulsed assent. The Doctor smiled softly. Trees of life, trees of knowledge, trees of good and evil... not to mention a midwinter festival. The Doctor struggled to understand. Heskiu began.

‘Nonsense,’ the Doctor said. Time passes.
Again, I'm not sure why "nimbus", "manyfold" and "Yesod" aren't in there, although at least it's correctly identified the main characters.

My favourite, though, is "The Ruins of Time" in 20 sentences:
Ian considered. ‘Ian!’

Barbara smiled. ‘Barbara!’

Susan asked. Barbara asked.

Ian protested. Ian sighed. Susan?’ said Vedirioi. Susan pouted. Susan looked back. Vedirioi spat. Susan shuddered. Ian groaned. Vedirioi paused. Susan was shocked. Horrified, Susan stood.

Ian demanded. Susan gasped. Ian muttered.
Or even better, in ten:
Ian considered. Susan asked. Ian protested. Ian sighed. Susan pouted. Susan shuddered. Ian groaned. Ian demanded. Susan gasped. Ian muttered.

To read the rest of it, you'll have to wait until the book's released. Suffice it to say there's rather more to it than that.

29 August 2006

Jiggety-Jig

Now back home from Greenbelt, and utterly knackered. Had a very good time though (see below).

Came home to find that this had been announced. Fortunately I had this all prepared and ready.

I'll write more tomorrow, assuming I manage to wake up at some point.

10 July 2006

Problem Tennant

The weekend just gone was spent largely in watching Doctor Who of various vintages while B. was away at a hen party. I've been disappointed by the latest season, and by David Tennant: there's been a lot of good stuff (and Saturday night's season finale was a splendid example, a handful of stupid moments aside) but it's failed, with one glorious exception, to scale the heights of the 2005 season.

I don't know whether I'll be updating Parrinium Mines any more. In theory I should at least set down my overall impressions of the season, but I feel strangely unmoved to do so. There's been much to admire, but it's so overshadowed by its immediate predecessor that much of what I said would turn out negative. In theory, I could keep it up for the sake of commenting on older Doctor Who, in book and TV form, but I'm not sure it's worth it. I'll let you know.

(On the plus side, though, my research for the still-to-be-announced short story I've been periodically banging on about here has got me completely addicted to William Hartnell's era. The Romans is top-notch comedy entertainment, and not in a "so bad it's good" way. It's genuinely brilliant.)


[Crossposted to Parrinium Mines, just in case anybody's reading there but not here.]

12 June 2006

Postmanchester

Since our trip away, life's gone back to being very busy, as easily as if I'd never left Bristol. I've been training teachers at work -- if you see me offline, do feel free to ask me how much fun that was -- and doing post-submission work on the recent stories. This is rather more complicated than usual in the case of Collected Works, because of the need to keep straight my background material for the anthology as a whole. (Keen-eyed readers who are also familiar with the common themes in my work -- I'm looking at you, Stuart -- may be able to spot the elements I contributed in the blurb.)

Other than that, while B. was in London on Friday I spent a very hot evening in the pub with goddaughter E.'s parents R. and M. and brother L. (though not E. herself, as she was round at a friend's house), and discovered that in addition to Bath Ales, the Wellington fantastically now does heavenly Dark Budvar. Also a rather nice peppers-in-pastry thing, and chips. My post-Manchester diet didn't go so well that day.

Last night B. and I went round to said goddaughter's family and watched her doing her violin practice. This was lovely, touching and caused us both to swell with pride at her skill -- yet was also, oddly, as excruciating as listening to a five-year-old attempting to play the violin. Possibly a bit of cognitive dissonance going on there. We played a couple of rather interesting Italian games that R. and M. picked up in Verona, and investigated another -- Inkognito, about spies in Venice -- which looked terribly complicated.

Today I'm all sticky and sweaty, but not for any enjoyable reason. Never mind.

11 June 2006

A Noun: "Cement"

Goodness. It's been an unexpectedly hectic week, both at work and in polishing those submitted stories I mentioned recently. With luck I should be able to write up my very pleasant, highly calorific trip to Manchester today or tomorrow, in between other stuff. In the meantime...

Big Finish have announced one of the anthologies in which said stories are appearing -- and this time they've very kindly made me one of the named authors on the blurb, meaning I don't have to keep quiet about it until the list of stories is released. The book in question is Collected Works edited by Nick Wallace, in the same series as A Life Worth Living.

This is the book to which I've contributed a handful of interludes, and a final story co-written with the very gifted Nick. If that doesn't sound sufficiently exciting for you, the other named authors are Mags Halliday, Simon Bucher-Jones, Kate Orman, Jon Blum (whose joint website with Kate seems to have vanished for some reason), Lance Parkin, Dale Smith, Mark Michalowski and Simon Forward. From what I've seen of everybody's contributions, it's going to be fantastic.

I'll be updating the website at some point, but possibly not till after the story list has been announced.

31 May 2006

Surfacing

Yesterday I sent off the final(ish) drafts of the short stories for Big Finish anthologies which have been keeeping me occupied me of late (and keeeping me so scandalously from you, dear reader).

Between them they come to well over 20,000 words, which explains why they've seemed such a marathon effort. That's over half the length of Peculiar Lives, which took me six months to write, and more than a sixth that of Of the City of the Saved..., which took me well over a year.

Of course there's still a certain amount of faffing to be done with both of them, as the editors get back to me with comments and suggestions as to how they might be improved, or made to fit better into their respective anthologies. In addition, one piece is actually a co-write with that volume's editor, so in that case there'll almost certainly be more toing-and-froing between us before we're satisfied with the result.

Still, at present I'm very happy with how both pieces have turned out. One's a straightforward short story -- albeit rather longer than usual at 8,600 words -- written to some fairly stringent (if largely self-imposed) restrictions which I'll talk about some more once it's been published. It shouldn't be too long before this one's announced, so I'll update you on that once the information's been released. I don't think it's giving too much away, though, to say that this one's the reason I've been watching quite so much early Doctor Who recently.

The other piece is actually five interludes to be scattered throughout a (different) anthology, together with the aforementioned co-written short story which forms its finale. This one's been particularly interesting to work on, as I've been developing an ongoing plotline which has repercussions in the other contributors' stories, and hopefully takes some cues from them as well. The plan is that this will result in a well-integrated and coherent collection which will read as a whole rather than a series of unrelated pieces. We'll see how well that comes off, but from everything I've seen so far the Ed in question is managing it most impressively.

It's also the first time I've co-written a piece of prose, which adds to the novelty value (at least for me -- probably not so much for you). Again, more information on this once the book's been announced (though I'm not sure at present quite when that will be), and once it's published I'll also update the website with some details of the unusual writing process.

Meanwhile, The Albino's Dancer, the Time Hunter novella which follows next-but-one in the series after Peculiar Lives, is due out imminently (the Telos website suggests 15 June). To celebrate the fact, its author Paul Dale Smith has updated his website with various bits and pieces, including a rather lovely imaginary Foreword to the novella. This makes excellent use of the various metafictional references in the Time Hunter sequence, and pleasingly references my own book and its narrator, Erik Clevedon. (There are also at least two pieces of fiction hidden as "easter eggs" on PDS's Albino's Dancer pages, which I'll leave you to find by yourselves.)

I read The Albino's Dancer a little while ago, and it's highly recommended -- certainly the best Time Hunter novella since Kitsune, (leaving aside Peculiar Lives, which I'm not really qualified to comment on). It's a witty, complex book that treats both the characters and the reader with respect, and has a plot like intricate origami. It comes highly recommended from me, and you can preorder it here.

09 May 2006

A Momentary Break in the Static

I'm sorry, once again, about the radio silence from these parts. I'm snowed under with various aspects of work and life at present, and keeping the blog updated is -- just for the moment -- rather more than I can manage on a regular basis.

Things which I am up to include two short fiction projects for Big Finish, both of which are for different reasons rather longer, rather more interesting and considerably bittier to write than the usual fare. I'm enjoying them both very much, but they are taking up large chunks of the available time. Expect to see moderately exciting announcements reasonably soon now.

I'm still hoping that time will soon allow me to post more regularly, and more interestingly, here and on Parrinium Mines. But, er, not the moment. Sorry.

If you were wondering, Club Sabbath was tremendous fun, despite some teething troubles -- it's probably already going down in urban legend as the night with as many M.C.s as there were comedians, after several of Lawrence's associates found their improv skills in demand following his early and impromptu vanishing act. What with the masks, it's always possible some of the punters present didn't notice.

Still, everyone involved was funny -- sadly Danielle Ward wasn't able to be there, but I was glad to have the opportunity to discover that Natalie Haynes is just as hilarious.

What's more, the London Stone is a surprisingly atmospheric and strange venue, belying the gothy kitsch of its owners' website. The whole of the cellar bar is painted to resemble a library in the idiom of Edgar Allen Poe, with the toilets hidden amusingly behind concealed doors in the painted bookshelves. Along with the predictable skulls and candles there's a large display case full of alchemical instruments. It's very odd.

The beer's hopeless, mind you. Still, it was tremendous fun to meet up with numerous splendid people, including Vigornian, Puffinry, Mags and The Ladylark, and to talk Doctor Who with some of them.

Back in Bristol, B. and I have discovered another rather decent pub in our near vicinity. This one is a bit gentrified, and some of the rooms do look a little like a furniture catalogue... but it does Bristol Beer Factory beers, and Wild Hare organic lager, and Pieminister's fantastic pies (the "Mighty Aphrodite" with aubergine, pepper and feta being particularly recommended), and is thus deserving of our custom.

Otherwise, things are manic yet strangely uninteresting. Our Buffy and Six Feet Under retrospectives have now progressed to seasons Six and Five respectively, and I'm reading books by two S.F.-or-affiliated authors about whom I've raved here previously: Priest's The Affirmation (a sequel of sorts to The Dream Archipelago, although predictably one which subverts it entirely) and McAuley's Fairyland , both of which are fantastic.

(My copy of Fairyland has "Philip Hallard 1997" written in the flyleaf. Frustratingly, I've only just got round to reading it.)

And -- while I usually make it a policy not to bang on about Doctor Who here more than my general career path makes necessary -- I can't resist pointing out that The Girl in the Fireplace was a beautiful, intricately-crafted clockwork miniature of an episode, single-handedly restoring my faith in the series after what I've felt to be a very rocky start to this season and to David Tennant's tenure as the Doctor. Praise be to Steven Moffat.